Elizabeth Bishop (1911-1979): The Art of Seeing Clearly
- The Return to the Aesthetic in American Poetry
- The Road Not Taken: Frost, Williams, Moore, Stevens
- The New Critics: Ransom, Wimsatt, Brooks, Abrams, Beardsley
- The Verbal Icon
- Art and Craft
- Elizabeth Bishop’s Private Life and Art
- New England and Nova Scotia
- Vassar and Literary Life
- Travels to Brazil
- Fame and Later Life
- The Geography of the Imagination: "The Map" and "Wading at Wellfleet"
- The Power of Description
- The Lyric Moment
- The Knowledge of Place
- Urban Landscapes: "Man-moth" and "Love Lies Sleeping"
- Urban Life in America
- The Light of Desire
- The World Inverted
- The Literary Aesthetic Object: "The Monument"
- The Poem in the Landscape
- Question and Response
- "Now can you see the monument?"
- "Watch it closely."